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Aadu 3

Aadu 3 (2026)

Director: Midhun Manuel Thomas

Cast: Jayasurya, Vinayakan, Saiju Kurup, Vijay Babu, Sunny Wayne, Renji Panicker, Dharmajan Bolgatty

Language: Malayalam

Duration: 160 minutes

Category: Comedy

IMDb
8.4/10
Rotten Tomatoes
N/A%
Our Score
8.0/10

Synopsis

Shaji Pappan and his gang return for a wild ride that breaks the boundaries of time. Set across three timelines—a dystopian future (2370 AD), colonial-era Kerala (1790 AD), and the present day—the story follows the gang as they get entangled in a conspiracy involving a rare celestial substance called "Star Dust" that can alter reality. The film blends the franchise's signature humor with fantasy and science fiction elements as the characters fight to prevent a totalitarian regime from controlling the universe

Full Story

Warning: Major spoilers ahead! *Aadu 3: One Last Ride - Part 1* picks up directly from where Aadu 2 ended. The Winner's Club gang—Shaji Pappan and his eccentric crew—are still stuck with that bag of American dollars they stumbled upon in the previous film . Convinced the money can only be exchanged once they physically reach America, the gang has been sitting on their fortune, growing increasingly restless. The chaos ignites when Captain Cleetus (Dharmajan Bolgatty), fed up with the endless waiting, decides to take matters into his own hands. Learning that US President Donald Trump is on an official visit nearby, Cleetus attempts to deal directly with him to exchange the dollars. Predictably, this backfires spectacularly—Cleetus is labeled a terrorist and arrested, forcing the gang into a daring rescue mission . Meanwhile, a parallel plot unfolds. The government plans to demolish the historic Nagathan Bridge, a decision secretly driven by Saathan Xavier (Sunny Wayne) . As Xavier's shadow falls across the present-day narrative, Shaji Pappan and gang get entangled in yet another conspiracy—one that runs far deeper than they could ever imagine. This is where the film expands into grander, more ambitious territory. The mystery of Nagathan Bridge connects across three distinct timelines: Timeline 1 - The Present (2026) : Shaji Pappan and his gang's comic misadventures unfold in contemporary Idukki, with the fake dollars, Trump, and the Nagathan Bridge demolition forming the central thread. Timeline 2 - Colonial Era (1790 AD) : The film flashes back to 18th-century Kerala, where the same actors appear in different avatars. Jayasurya transforms into Maharaja Aadithyan / King Pathmanabhan, Vinayakan appears as Azam Khan (and Tipu Sultan), Saiju Kurup plays the Maharaja's commander-in-chief, and Srinda appears as Rohini . This period storyline introduces the legendary "Mysore Rocket"—a powerful weapon that has apparently caused conflict and destruction across centuries . Timeline 3 - Dystopian Future (2370 AD) : The film opens with an elderly Indrans in a futuristic setting, narrating the tale of what he calls an "idiot gang" to a younger generation . Here, a totalitarian regime called "The Organization" seeks a rare celestial substance known as "Star Dust" to maintain absolute control over Earth. A resistance movement led by a figure named Baba discovers the non-linear nature of time and devises a plan to travel back and prevent the Organization from ever obtaining this cosmic power . As the narrative weaves these three threads together, we learn that Nagathan Bridge serves as the central motif connecting all eras. An otherworldly stone with supernatural powers—possibly linked to the Star Dust—becomes the MacGuffin driving the action across timelines . The film culminates in a high-octane chase sequence involving helicopters, speedboats, and government snipers. Just as the action builds toward what seems like a fitting conclusion, the film ends abruptly—midway through its story—on a major cliffhanger, setting up *Aadu 3: The Ride Ends - Part 2*

Our Review

The Good Aadu 3 is audacious, unapologetic, and wildly entertaining—exactly what fans of the franchise wanted, but on a scale no one expected. Midhun Manuel Thomas takes a massive gamble by transforming a small-town comedy into a time-travel, sci-fi, historical epic. And surprisingly, it mostly works. The first hour is pure Aadu gold. The gang’s banter, Cleetus’s Trump misadventure, and the trademark absurdist humor are all intact. The theatre I watched in erupted when Dharmajan attempts his “direct deal” with Trump. The biggest surprise is the period portions. Jayasurya delivers a career-best double performance—his Shaji Pappan remains lovably stupid, but his Maharaja Aadithyan is dignified, fierce, and shockingly emotional. Vinayakan, as always, steals every frame. His Azam Khan is terrifying and hilarious in equal measure. The three-timeline structure is ambitious, and the editing (by Johnkutty) keeps things coherent despite the chaos. The Nagathan Bridge reveal in the final act is genuinely clever. When the connection between the stone, the rocket, and the Star Dust clicks, you realize the writers planned this far ahead. The Not-So-Good The film suffers from too much ambition. The future timeline, while visually interesting (good work by the VFX team on a limited budget), feels underdeveloped. Indrans’s opening narration is funny, but we spend barely 15 minutes in 2370 AD. Also, the cliffhanger is frustrating. This is literally half a movie. Unlike KGF or Baahubali where each part felt complete, Aadu 3 Part 1 stops mid-scene. It’s a bold choice, but it leaves you unsatisfied in the moment. Some jokes don’t land. The Trump impersonation, while timely in 2018, feels dated now. And at 162 minutes, there’s a noticeable lag in the second act before the timeline jumps. Verdict Aadu 3: One Last Ride – Part 1 is a messy, overstuffed, but wildly passionate love letter to the fans. It’s not as tightly written as the first film, but it’s bigger, bolder, and more emotional. If you love Shaji Pappan and his idiot gang, you’ll leave the theatre grinning—and desperately waiting for Part 2. Final Score: 8/10 Watch it for: Jayasurya’s double role, Vinayakan’s swagger, and the sheer audacity of turning a goat-flick into a time-travel saga.